A tale of love, loss, revenge, and, oh! ... a secret marriage
Pierre Beauvoir is fired without even a reference, only for want of a better position. But when his nemesis’s beauty, the brand’s most popular and beloved daughter, strolls into sight, revenge enters his heart.
Isabel, the youngest of all the Locatelli
siblings, hates her job, hates her life, and resents her irritating family. But
the photographer her father sacked has a plan, and she is all in.
Thank you for joining us, Isabel. Today, we have an interesting tale. This past May we met your brother, Anthony [from An Unfashionable Diva]. His story was all about his job. How about you? I hate my job.
You
hate being a model? Aren’t you the face of Locatelli International, Inc?
Rich?
Famous beyond words? Our papa has no
respect for my sisters or my wishes. For example, my oldest sister, Catarina.
She is thirty. She wanted to practice law. But we were home taught—
You
mean homeschooled? Sí. No university training. And me? I wished for
computers. I am very good.
So,
your sister couldn’t practice law because she was homeschooled. To become an avvocato, you must attend further
schooling, no? Papa discourages that. It would detract from the family
business, you see. I wanted to learn computers better. I have a—what do you
say?—a trick?
You
mean an aptitude? Ah. Aptitude. I
like this word. Sí, an aptitude. When he fired our favorite
photographer, it was the end for me.
You…
quit? I try to explain, but Papa was
most unreasonable. He wished me to marry. . . Adolfo. He is . . . the American
phrase is icky. Correct? I could not stay, you understand?
I
see. So, you ran away. I give Papa my
notice, but he is stubborn and, the photographer—he had a strategy. I liked it
very well.
Um,
what was this plan? A secret marriage.
Sí, I approved.
I take
it that didn’t go over well? You mean,
was Papa angry? Oh, yes. But we—Pierre and me—were clever. I feel bad for
Catarina though. She was not so lucky.
Sounds
as if I should talk to her. Sí, you will
like her very much. Thank you for seeing me. I must go. Pierre needs me, you
see.
Oh,
of course. Thank you for speaking with me.
Now for
a few questions for author Mia Augustine.
What
literary pilgrimages have you gone on? Retreats? Many over the years. When I worked at my corporate
job, by the time I started writing, I had four weeks’ vacation a year. I used
almost all of it to travel to conferences, retreats, writing with friends out
of town. One year, I went with three friends to Eureka Springs. It was so fun.
We rented a house. When I first moved to the Pacific Northwest, I was invited
to a large house with thirteen other authors. I only knew two of them. 😊 Recently, I
just returned from Bar Harbor, Maine. Soooo beautiful. And, productive.
What kind of research do
you do and how long do you spend researching before beginning a book? The research for my contemporaries is primarily
location. The weather, the terrain, what the town I’m using as a setting is
like. I don’t always do a lot of research before I start writing. I tend to
research as I go. Because you need just enough to authenticate the scenario you
are attempting to create. For example, I wrote in a series with friends called
Martini Club 4 (the Eureka Springs group) and the second in the series was set
in Boston. I knew nothing about Boston. But the year it was set in,1947, was
the year the Red Sox won the Pennant. It worked out perfect because of the
dates we used in our stories, I had the friends going to a movie that ended the
same time the game ended. And, the game was against the Yankees. Not only did
the date match up perfectly, but so did the way the Red Sox beat the Yankees.
It was crazy. And, one of the friends was from England. So, she referred to the
game as Cricket. Of course, the other three were appalled. Little things like
that give fun authenticity.
If you
were not a writer, what would you be?
A Broadway actor. 😊 In a heartbeat…
Mia
brought an excerpt for us.
“Mmm?” Isabel
strived to concentrate on Pierre’s words. A snuggly feeling swept through her.
His body warmed her ribs, called to her.
“Where do you
live?” he hissed.
With her eyes
closed, her head fell against his shoulder. It was broad and solid. “Why are
you whispering?” she whispered back and then giggled like a five-year-old
child.
A low growl
emitted from him that was decidedly sexy. She wanted more of that. Much more.
She put her nose
in his neck and breathed in a deep vastly masculine scent that reached her
insides, and instinctively, had her curling into his side like a cat.
“Isabel!” He
spoke sharply, but she didn’t fear him.
Her gaze fell on
his hands. They were powerful hands, making her wonder why. She reached out
with a finger and traced the knuckles on one hand.
Both his hands
tightened into fists and whitened his knuckles. That sexy growl sounded again,
and she turned her head up until her nose pressed against the back of his jaw,
then used the tip of her tongue to touch his skin. Hot, rough, indiscriminately
exciting. “How old are you?” She sounded funny, slurring; she giggled again.
Slurring.
He groaned then
turned in the seat, taking her by her upper arms. Her skin was so warm. She
tried crawling closer, but he stayed her. “Isabel, listen to me.”
“No.”
“No?” He sounded
so incredulous.
She couldn’t
stand that piercing look in his eyes and shut it out, closing her eyes against
it. She poked her lip out. She didn’t want to talk, she wanted to kiss.
With another
irritated rumble, he rattled off an address to the driver, who immediately took
a sharp turn, throwing her across his lap, and sending her into another fit of
giggles. She couldn’t seem to stop.
A few minutes
later the cab screeched to a stop.
Pierre had her by
the arm and was tugging her out of the cab. The sun had set, leaving behind and
inky black sky, dotted with stars that twinkled like diamonds, and a light
breeze that stirred her hair. He pulled her firmly by the hand to the front
entrance of a large two-story house. An old-timey mansion house. Two white
pillars appeared to hold up an upstairs outdoor balcony, creating a portico to
the door. He tossed money to the driver and, looming over her, ordered, “Be
very quiet. My landlords do not care for their residents having company.”
His intensity
sent shivers across her skin. “None?”
“Absolutely,
none.” He tugged her up a step and she almost tripped. He turned back to her,
and hissed. “I said ‘quiet.’”
His fierceness
was irresistible. “Shh,” she whispered, motioning a zipper across her mouth,
locking an invisible key, and tossing it aside.
He led her
through the door into a lobby area with no furniture, though the decorative
tiles were nice. And echoey, very echoey under her chunky heels. The walls,
painted an unbecoming orange halfway up, then white to the ceiling, were not as
pretty. The steps were topped with a hard marble substance and the banisters
looked to be of old Spanish iron fashioned in swirls. At the top, he guided her
to the end of a skinny hall with wooden floors and halted at the last door. He
glanced over his shoulder at her, putting a finger to his lips.
She blinked at
him, then remembered to nod.
He unlocked the
door and pushed her inside. He checked the hall before entering then locked the
door behind him and set his camera case on a small nearby table. “Now, you want
to tell me why you’re here?”
She spun around,
wobbling on her pink, crystal-covered shoes. “What do you mean?”
He caught her by
the arm. “If your father…”
Anger surged
through her. “Bah! Blast my father. He is not the boss of me. Well, not after
Paris,” she said.
Pierre directed
her to a tiny kitchen table and saw her seated. Ever the gentleman, wasn’t he?
“Not much, he isn’t,” he responded. It took her a second to realize he was
addressing her father as her ‘former boss.’ “If the old man doesn’t castrate
me, your brother likely will.”
Her hand flew to
her mouth to hold in her laughter. Her eyes watered at the effort. “Is there
something to drink?”
With a sharp
smirk in her direction, he went to the refrigerator and pulled out a bottle of
water, twisted off the top and handed it to her.
“Thank you,” she
said in a small voice. She glanced around the one room flat, amazed at how
small everything was. The sofa was pulled out into an unmade bed, covers askew.
“My main home is
in Montmartre. Paris,” he clarified.
Nodding, she
sipped at her water. Exhaustion hit her like a two-by-four. She set the water
on the table and laid her head on her arms.
“You can’t stay
here,” he said.
She smiled in her
arms, the lethargy dragging her down. “Just for a minute. I’ll leave soon.”
This was as safe and unguarded as she’d felt in forever. No demanding questions
from her sisters, her brother, her father or stepmother. There was a hush about
the building that drew her in. Maybe she would let this room once he vacated
it.
“When are you
moving?” she asked, but sleep stole his answer from her.
Mia Augustine can be found at:
Facebook: https://www.facebook.com/profile.php?id=100089614103041
Instagram: https://instagram.com/miaaugustineauthor
TikTok: https://tiktok.com/@kathylwheeler
Website: https://kathylwheeler.com
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